The Minotaur appeared to me from a haze, mysterious and surprising, yet also insistent and fully formed. During my final weeks in Seattle, there was a moment where every book I opened, and several songs and podcasts, all mentioned the Minotaur. It felt like one of those coincidences that should not be ignored, so just for fun I sketched one while riding the bus home one day. He was an usual subject-matter, so clearly masculine in contrast to the usual feminine or androgynous figures I tend to favor. I grappled with how he would fit into my work, and decided that keeping the color palette in a soft floral hue would help to ground him among my other paintings.
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